So I’m sitting with some friends in the thirteenth row of some second-rate theatre. We’re watching As You Like It by William Shakespeare and awaiting the appearance of our friend Rob. He has a major role in the play as the young heartthrob, Orlando. It’s the fight scene, which he has also choreographed. I watch him flip his opponent to the ground like something out of the WWF. I lean forward. Now we’re talking. The fighting reminds me of that scene in Star Trek where Captain Kirk is forced to battle Spock in the alien coliseum. All that is missing is that excellent Star Trek battle music:
♫Da da, dah dah dah dah, da da, dah dah drrrrrrreeeee! drrrrreeeeee!♫
Sigh…the fight scene is over. That was quick. Again, I’m bored out of my mind. I can’t understand half of what is being said and I have no idea what is happening. Nor do I want to know. Granted, the actors are doing as good a job as they can possibly do, what with the dated material — all these couples in love and all of them wearing disguises. How come nobody recognizes each other? Their disguises are worse than Clark Kent’s glasses. Why am I here in the first place? Twenty-five dollars down the drain. I would never have come to this play if my friend was not in it.
What is it about plays and friends? Why do we have to go see them? I’m told it’s because “that’s what friends do.” Friends support friends. You want me to come to your play? Well, let me ask you: back when I was in the real world, how come you never came to my office and applauded me for my work? I don’t remember you calling for an encore after I gave a particularly good presentation, or giving me a standing ovation for a well-crafted spreadsheet. Oh, but the theatre is entertainment? Well, masturbation is my entertainment. So I expect a bouquet of roses next time I pleasure myself. Just be careful with those thorns.
And then the play finally ends. My friends and I exchange quiet smiles and we all head outside the theatre to await His grand arrival. He comes out, all dressed in black. He grants me one millisecond of eye contact before his eyes dart off in other directions as he takes in his admirers. The irony is that for all the acting Rob did, we are the ones that are going to deserve an Oscar for the performance that we are about to put on:
“Yes! That was great!
“I got to say, you were so believable. I literally forgot it was you. You were the character!”
“Awesome, man. Great play and you really stood out!”
And if that’s not bad enough, afterwards we then follow him and his actor pals to some party that is filled with even more actor friends. They are all high on booze and coke. They are talking shop and nobody cares about us. I sit on the edge of the sofa listening to them criticize other actors, directors and shows. To make conversation, I turn to another actress in the show and compliment her on her role. I get a half-smile and some uncomfortable silence before she moves off in another direction.
And of course, my acting role does not end that night. The show must go on, and my performance is on an extended run, as over the next few days, other friends ask what I thought of the play. This is most painful if Rob is in earshot when I am asked. Even if he is fully engaged in conversation with a third party, you can still see his head tilt slightly and his ear start twitching as he waits for my scripted response: “Yeah, the play was great, and Rob … fantastic. You must see it!”
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Oh — and I’m hoping to get called up again for Yuk Yuk’s Amateur Night next Tuesday, October 23rd. Here’s hoping you can make it…
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